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The Event of Literature, by Terry Eagleton
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In this characteristically concise, witty, and lucid book, Terry Eagleton turns his attention to the questions we should ask about literature, but rarely do. What is literature? Can we even speak of "literature" at all? What do different literary theories tell us about what texts mean and do? In throwing new light on these and other questions he has raised in previous best-sellers, Eagleton offers a new theory of what we mean by literature. He also shows what it is that a great many different literary theories have in common.
In a highly unusual combination of critical theory and analytic philosophy, the author sees all literary work, from novels to poems, as a strategy to contain a reality that seeks to thwart that containment,�and in doing so throws up new problems that the work tries to resolve. The "event" of literature, Eagleton argues, consists in this continual transformative encounter, unique and endlessly repeatable. Freewheeling through centuries of critical ideas, he sheds light on the place of literature in our culture, and in doing so reaffirms the value and validity of literary thought today.
- Sales Rank: #1619480 in Books
- Brand: Brand: Yale University Press
- Published on: 2013-07-16
- Original language: English
- Number of items: 1
- Dimensions: 7.94" h x .69" w x 5.21" l, .64 pounds
- Binding: Paperback
- 264 pages
- Used Book in Good Condition
Review
“Written with his characteristic wit, verve and insight, The Event of Literature marks a new chapter in the developing thought of our pre-eminent literary theorist.”—London Review of Books (London Review of Books 2012-05-10)
“In this book Eagleton offers a shrewd historical synthesis of the interaction between literature and the common culture.”—Iain Finlayson, The Times (Iain Finlayson The Times 2012-04-21)
"In wry, thrifty prose,�[Eagleton] surveys a range of theoretical positions in order to ponder a larger question about 'whether there really are such things as common natures in the world.' . . . A fascinating and often compelling expansion of Eagleton's oeuvre."—Publishers Weekly (Publishers Weekly)
“Throughout the book, Eagleton writes with his customary felicity (his aphorism, for example, on significant affinities in Wittgenstein’s theory of family resemblances, ‘a tortoise resembles orthopaedic surgery in that neither can ride a bicycle’, is a delight).”—Stuart Kelly, The Guardian (Stuart Kelly The Guardian 2012-04-08)
About the Author
Terry Eagleton is Distinguished Professor of English Literature, University of Lancaster, UK, and Excellence in English Distinguished Visitor, University of Notre Dame, IN.
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A Critic Criticizes Criticism
By ronfpugh
I was bamboozled into purchasing this book by a favorable Library Journal review, which said (I paraphrase) that Terry Eagleton in The Event of Literature makes difficult concepts in literary theory easy to understand. It's not that he doesn't try, but the material is too refractory: for me he failed more often than he succeeded. So I offer faint praise to admit that I probably got more out of Eagleton than I would have by going directly to the legion of critics he quotes ad nauseum (Stanley Fish, Jacques Derrida, Peter Lamarque, John Searle, and many others). Why he DOESN'T quote his great Oxbridge predecessor C.S. Lewis, a REAL literary critic, is quite beyond me, unless it is considered somehow shameful for a Marxist like Eagleton to do so. The one point all these more recent hacks seems to agree on -- that literature is what we as readers DECIDE TO TREAT AND READ AS LITERATURE -- was made FAR MORE CLEARLY and compellingly in Lewis' wonderful An Experiment In Criticism (1960). Read THAT if you never buy this or any other work of literary criticism.
As my title indicates, Eagleton frequently argues with the critics he quotes, pointing out their absurdities, omissions, contradictions, etc., which is certainly a valuable work. That includes the YOUNGER Terry Eagleton: while he still thinks literature has no "essence," he has come to believe that literary writing has some or all of these five characteristics -- it is fictional; it has moral content; it uses figurative language; it is not practical; and it is highly valued as writing.
Also insightful (to me) was his contention that what an author means as fiction may be read as true, and vice versa. It warmed my heart on page 110 to read that Frank McCourt's Angela's Ashes can be read (primarily IS READ now) as FICTION. I ALWAYS thought it was! I NEVER believed actual people could live in conditions that degrading, sordid and abusive.
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